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Our Town

by Thorton Wilder

September 28, 29, October 5, 6, 7, 1984

Plank Road School

Act I : Daily Life
As a few elementary pieces of furniture are brought out, the Stage Manager introduces the setting: Grover's Corners, New Hampshire. It's May 7, 1901, just before dawn. Establishing the layout of the town, he focuses on the homes of Dr. and Mrs. Gibbs and Editor and Mrs. Webb. From the beginning, the Stage Manager sets a tone of ordinariness: "Nice town, y'know what I mean? Nobody very remarkable ever come out of it."

As the day begins, we hear bits of gossip and news about the town: a marriage, a birth, a milkman's reluctant horse. We get acquainted with the children in the two families: George and Rebecca Gibbs and Emily and Wally Webb. George, age 15, is proud of his prowess at baseball; Emily, a year younger, is a top student at school and not shy about it.

As morning segues to afternoon, George walks Emily home from school. The Stage Manager describes what's going to be put in the time capsule cornerstone of the new bank, so "people a thousand years from now" will know what life in Grover's Corners was like. As evening takes over, the action switches back and forth between George and Emily doing homework and their mothers at choir practice, where organist Simon Stimson seems unable to mask his tipsiness. The women return home, discussing Simon's troubles. The Stage Manager announces the end of the first act.

Act II : Love and Marriage
It's July 7, 1904, just after high school commencement. In the Stage Manager's words, "Nature's been pushing and contriving," and many of the young people in town are planning weddings -- George Gibbs and Emily Webb among them. Over breakfast Dr. and Mrs. Gibbs fret that George may not be old enough for marriage, and they reminisce about their own wedding day.

The Stage Manager then takes us back a year to an exchange between Emily and George. She criticizes him for changes she sees in him and George, struck by her observations, invites her to join him in an ice cream soda at the drugstore. He admits that he's torn between going away to agricultural college or staying in Grover's Corners, As he realizes that Emily's opinion means more to him than anyone's, Emily realizes that she feels the same way about him. "So," concludes George," "I guess this is an important conversation we've been having."

Doubling as minister, the Stage Manager gives a brief sermon about marriage. Mrs. Webb and Mrs. Gibbs also reveal their thoughts, while they calm the wedding jitters of each of their children. As the wedding tableau freezes, the Stage Manager recalls the many couples he's married and what comes after: "the cottage, the go-cart, the Sunday-afternoon drives in the Ford, the first rheumatism, the grandchildren, the second rheumatism, the deathbed, the reading of the will, -- Once in a thousand times it's interesting." And as George and Emily run up the aisle, the second act ends.

Act III : Life and Death
The stage has changed, with three rows of chairs representing graves in the cemetery. Among the dead are Mrs. Gibbs, Wally Webb, and Simon Stimson. It's nine years later, the summer of 1913, and the Stage Manager updates us on Grover's Corners. He reflects on how there's something eternal about every human being and how the dead gradually let go of their earthly lives.

Emily, who has just died in childbirth, appears in the cemetery. She can't resign herself to death, and wants to know why she can't go back and live some of her life over. The dead try to dissuade her, but she insists. Mrs. Gibbs urges her to choose the least important day in her life: "It will be important enough." Emily goes back in time to her twelfth birthday and relives the day, experiencing the joys of everyday life but also the pain of seeing the precious, fleeting moments of her youth now lost forever. Increasingly distraught, Emily asks the Stage Manager to take her back to her grave, but she lingers to say goodbye to the things she loved.

In the cemetery, Stimson snarls about the follies and ignorance of human beings, but Mrs. Gibbs comes to their defense, although she agrees with Emily that, "they [living people] don't understand." As a grieving George Gibbs throws himself at Emily's grave, the Stage Manager announces that almost everyone's asleep in Grover's Corners, takes one final look at the stars, and wishes us a good rest, too.


Show Program










Production Staff


Tom Zuehlke

Lighting Designer

Bob Kafka

Costume Designer


Lighting Crew

Marianne Kolar

Sound Crew

Mark Horaitis

Prop Crew

Rosie Peterson

Set Construction

Margaret Banister

Chris Otto



Sheryl Gahagan

Hair Stylist

Sheryl Gahagan

Public Relations

Jan Brunow

House Manager

Bonnie Torretta


Rosie Peterson

Graphic Designer Donna Kay Kohls
Program Maggie Ley


Stage Manager

Scott Marshall


Dr. Gibbs

Victor White


Joe Crowell

Kurt Poth


Howie Newsome

Jeff Kelm


Mrs. Gibbs

Anne Marie Cheney


Mrs. Webb

Evvie Smith


George Gibbs

Max Manthey


Rebecca Gibbs

Genevieve Parmentier


Wally Webb

Steven Peterson


Emily Webb

Mary Parmentier


Professor Willard

Michael Wagner


Mr. Webb

Jonathan Curvin


Farmer McCarthy

Tom Wisnieski


Man in the Auditorium

Del Barts


Woman in Balcony

Sharon Becker


Lady in Box

Lynne Degrave


Simon Stimoson

David Handrich


Mrs. Soames

Phyllis Ruck


Constable Warren

Russell Radtke


Si Crowell

Kurt Poth


Baseball Players

Del Barts

Kurt Poth

Joseph Walsh


Sam Craig

Joseph Walsh


Joe Stoddard

Lloyd Dreger



Cynthia Alberti

Dianne Carroll

Joe Carroll

Fred Fohey

Violet Gregg

Byrll Hoelke

Donna Kay Kohls

Ginny Kohls

Rosie Peterson

Michelle Schaefer

Amy Schauder

Linda Smith

Brian Walsh



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